Author: bobdoran

My name is Bob. I work, play and live in Humboldt. I make photos and write in Humboldt and beyond. My latest online venture is TheHum.Online. You are there.

Some so-called thoughts on McKinley

Seems like every time I turn around lately someone is offering up their opinion on William McKinley and the statue of him at the center of the Arcata Plaza. I’ve lived in or around Arcata most of my life, since 1969 to be exact, that’s when I moved here to attend college. Needless to say, my opinion has changed over time.

This week, my thoughts have been shaped by a speech by New Orleans Mayor Mitch Landrieu. Maybe you saw him on The Daily Show this week. (Watch it now by clicking here.)

The Mayor has a new book coming out today called In the Shadow of Statues.

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Just before city workers removed a statue of Confederate general Robert E. Lee — the fourth Confederate monument to be dismantled in New Orleans late last year — the Mayor gave a speech.

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His book basically expands on his thoughts from the day.

Here’s part of what he said: 

This is the moment when we know what is right and what we must do. We can’t walk away from the truth. I know that taking down the monuments was going to be tough, but you elected me to do the right thing, not the easy thing and this is what that looks like.

So relocating these monuments is not about taking something away from someone else. This is not about politics, this is not about blame or retaliation. This is not a naïve quest to solve all our problems at once.

This is about showing the whole world that we as a city and as a people are able to acknowledge, understand, reconcile and, most importantly, choose a better future for ourselves, making straight what has been crooked and making right what was wrong. Otherwise, we will continue to pay a price with discord, with division…

Wednesday evening the people of Arcata will gather once again with the city council to talk about that statue of Bill. They’re expecting a big crowd so they’ve moved the meeting to the Arcata Community Center. We’re a town struggling with a decision, to paraphrase Mayor Landrieu, “paying a price with discord, with division.” To outsiders it may seem like a minor question to occupy so much time and energy, but I see a town at a crossroads, with a chance to make things change. The result? That remains to be seen. We can only hope it’s a change for the better.

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Coming soon: more thoughts on McKinley including a photo essay on respect for our statue and the lack thereof.

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You don’t like my so-called thoughts?

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St. Pat’s Day is coming…

In case you hadn’t noticed, that green time of year is here, the time when every venue in town books Irish music, (not to be confused with Humboldt Green Week a celebration of cannabis in April and May). To mark Saint Patrick’s Day, The Hum hosted a live session by cellist Summer McCall and fiddler Rosalind Parducci playing some Irish (and Scottish) tunes and talking about the music they love, while offering details of plans for St. Pat’s Day weekend. They start with one of their faves…

 

As noted in the vid, their green weekend begins Friday, March 16, sort of St. Pat’s Eve if you will, with a Kitchen Benefit Concert, an intimate evening with Summer & Rosalind with special guest Britt Smith on guitar etc. Starting at 7 p.m. They’re offering “cafe style drinks and food available for purchase. Proceeds benefit the kitchen upgrade at the hall.” To reiterate…

ros:summer:kitchen

Now I’ve been telling Ros and Summer they need a name for their duo, and sometime after they came to see me, they came up with one: Port Mooncall. 
They have a couple of gigs Saturday: a St. Patrick’s Day Concert at Northtown Coffee at 5 p.m. followed by Paddy’s Day Extravaganza at Papa Wheelies! at 8:30 p.m. (in McKinleyville).

They also came up with a more or less formal YouTube vid, where they play that Gallagher song again…

When I first met Rosalind, she was playing under the name, Stringtown Ambassadors, a band with shifting side players. Here’s an album she did with a trio in 2016…

Want to know more about Summer? Here’s a Hum radio interview from not long ago…

good company

Speaking of Gallagher’s, the local Celtic trio Good Company plays at Gallagher’s Irish Pub and Restaurant  Friday and Saturday. (I’m not sure what time.)

The Hum caught up with them at Garden Gate during Arts Arcata…

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Good Company  also plays mid-day at Six Rivers Brewery’s  14th Anniversary All Day- Indoor/Outdoor Extravaganza for St. Pat’s.

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They suggest:

Come early for free samples from our local friends – Humboldt HotsauceDiane’s Sweet HeatRaised Gluten FreeBeck’s BakeryHumboldt Grassfed Beef and N2 brews

Live music starts at 12:30 with local traditional Celtic music from Good Company plus DJ J Dub will spin vinyl from rock to reggae and there will be bagpipes!

Enjoy Irish Food Specials and Drink Specials including a delicious new stout from Brewmaster Los, and of course, green beer!

Join us at 4:20 for the conclusion of our “Brew Your Beard” competition raising money for the McKinleyville Teen Center. Local judges will award prizes to the generous gents who have been growing beards since New Year’s Day! Cosmetologist, Carmen Sargent will be ready to groom our guys too!

Later in the evening the Hollins & Hollins Mortuary Entertainment Show will kick off featuring the music of The Pine Box BoysLester T. Raww’s Graveside Quartet, and Gentleman Jimmy Hadley

If you’ve never been to Six Rivers’ massive green blow-out for everything Irish, well you don’t know what you’re missing. The Pine Box Boys aren’t exactly trad Celtic, but their murder ballads are to die for, with the other bands offering variations on that theme…

And, while we’re talking Celtic music this weekend, we should mention the show at The Old Steeple in Ferndale with Alasdair Fraser, known as “the Michael Jordan of Scottish fiddling” (whatever that means) and cellist Natalie Haas on 

Also this weekend, there a couple of shows at the Van Duzer. First Mr. Dave, the Prince of Polyester, David Lindley is here on St. Pat’s Day. Dave plays Irish bouzouki so he might play something appropriate, but he may jam on an oud, Turkish saz or about any stringed instrument you can name. The man can play.

Then Sunday, it’s the long awaited Bonnie Raitt, which we’re told in capital letters is SOLD OUT. Well, maybe, maybe not, at least if you’re willing to pay scalper prices: As of Monday afternoon, StubHub is offering two seats in the balcony for $216.66 apiece, but they note “2 people are looking at this event,” and probably wondering if they can afford a $500 date night. Here’s a little flash from the past, and yes, that is the late great Norton Buffalo taking a harp solo…

That’s all for now. Hum on…

A chat with the Arcata City Manager about the McKinley statue

Arcata City Manager Karen Diemer has some work to do. The last two meetings of the City Council included decisions about the removal of the McKinley statue and altering a historic plaque. There was what Karen calls “spirited debate” about the subject that calls for some changes in Arcata, and her job is to make that change as smooth as possible.

Wondering why we need an EIR to move Bill? What happens next? She explains it as succinctly as possible. Give her a listen…

More on McKinley later…

 

 

Joan Baez is coming to Humboldt – for the last time?

This popped up in my feed Wednesday morning via CenterArts. Joan is heading out on tour, which includes a stop in Humboldt. You may have heard about Joan’s new album on NPR. It comes out on Friday and the ultimate protest singer is working the record, “Whistle Down The Wind,” getting the word out.

There’s the album push right now, followed by the proverbial CD release tour, a little later in the year, beginning 9/11 in New York (not the city, the state, in Ithaca). She’s calling it her final “formal tour,” meaning the last time she hits the road for one of those day-after-day grueling cross-country slogs. She’s getting too old for that. I guessing her show here Nov. 8 is the last time she’ll play here.

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Locally she’s playing at the Arkley, which is a little bit ironic since she stands in direct opposition to many things the building’s owner Rob Arkley believes in. I don’t have time to get into that right now (maybe later). But by chance, it turns out the show comes during a time when CenterArts is not going to be doing shows at the Van Duzer. That earthquake retrofit is finally happening, so the shows in next season have to go somewhere else. (KHSU has to move their studios too, which won’t be easy.)

Ticket details for the Arkley show? “The ticket prices are $89Adult/Child and $35 Humboldt State University Students. On Friday morning the tickets are first come first served. Anyone can purchase up to six tickets,” according to a CenterArts Facebook contact who would not give a name, referring any other question to CA Director Roy Furshpan.

I met Joan years ago, when she played at the Van Duzer, but not via my ongoing media job, I had a gig for CenterArts at the time. I was running a restaurant, writing on the side, I served as the chef for various clients they wanted to treat right, to impress, whatever.

Most of the time that just meant a nice dinner. I had developed a menu I could cook on campus using a teaching kitchen in Nelson Hall (there was a mirror over the stove and cutting board. I usually offered artists grilled chicken with a Brazilian-style sauce (peppers, tomatoes, coconut milk etc.) and a veggie option. It was a step above typical tour food, no pizza, crudites and cold cuts platters. This show was a little different. They wanted me to handle all hospitality, basically get anything Joan or her crew might want.

I remember I had a hard time finding throat coat tea, which was a starred item, not to be skipped, since Joan used it to protect her voice. I’d never heard of the stuff, but someone suggested checking at Moonrise Herbs and they had it and educated me about that herb. I’ve shared the story of hunting for Joan’s throat coat many times with everyone from reggae stars to local folkies. Everyone knows the importance of protecting your voice.

I had actually tried really hard to land an interview with Joan to advance the show, but her publicist put me off again and again. Spending the day hanging around backstage, I got to talk with her informally a few times. I actually steered her to the Green Room when she needed a quiet place for a phoner (a phone interview) and I asked her why I had been put off. She explained a couple of things, she tries to limit the interviews to save her voice, and the Arcata show was sold out ahead of time, so didn’t require that little push that a newspaper story might provide.

The next time I met her was at Reggae on the River where she made a surprise appearance on a Sunday that most people missed. More on that some other day…

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I may contact the publicity people about this tour, but I don’t expect to talk with Joan. That’s already handled by journalists like NPR’s Ari Shapiro. So I’ll settle for some p.r. from CenterArts and a rerun of his interview.

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JOAN BAEZ ANNOUNCES FINAL FORMAL NORTH AMERICAN TOUR
Acclaimed artist Joan Baez will begin a run of North American dates beginning on September 11 in Ithaca, NY. The extensive run of shows, following 50 UK and European dates, marks Baez’s last year of formal touring and includes stops at the historic Beacon Theatre in New York City and Ryman Auditorium in Nashville and Humboldt County!
“I’m looking forward to being on the road with a beautiful new album of which I am truly proud,” says Baez. “I welcome the opportunity to share this new music as well as longtime favorites with my audiences around the world.”
As a special offer to fans purchasing tickets for Baez’s U.S. tour, a CD or digital download of her forthcoming album, Whistle Down The Wind, is included with every ticket purchased. General tickets for all shows go on sale March 2. Every ticket purchased includes a CD or download of Joan’s new album, Whistle Down The Wind. Purchaser will receive an email with instructions for redeeming offer approximately 7 days after purchase.

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I tried embedding this NPR interview but that seems to be disabled, which might mean I’m not supposed to gank this conversation, but what will they do? If they complain, I’ll drop it, but will they try to yank my blogging licence? Sue me? Good luck with either.

https://www.npr.org/player/embed/584648802/589279505

JOAN BAEZ: Don’t sing love songs. You’ll wake my mother.

They say I had a voice like an angel and a mouth like a dockworker.

NPR host ARI SHAPIRO: And that is Joan Baez. Starting in the 1960s, her music provided the soundtrack to a peaceful revolution through street protests and civil rights battles, marches for women’s equality and against the Vietnam War. Now Joan Baez is 77 with her first album in a decade called “Whistle Down The Wind.” She says this album tour will be her last. And she thinks of the record as a bookend to her very first one in 1959.

BAEZ: The first album had the song “Silver Dagger” on it, this famous, famous old folk song ballad.

(SOUNDBITE OF SONG, “SILVER DAGGER”)

BAEZ: (Singing) And in her right hand a silver dagger.

And on this one I asked Josh Ritter if he’d write me a song. And he wrote a song called “Silver Blade.”

(SOUNDBITE OF SONG, “SILVER BLADE”)

BAEZ: (Singing) I have myself a silver blade. The edge is sharp, the handle bone. A little thing of silver made.

I think in the beginning also there was – I did mostly ballads. And then as the years went by, as in, like, the second and third album, then the political-leaning music came in. And this album now is a combination of those two things, very sparse. We made it in three visits of three days each, which is how I like to work – fast.

SHAPIRO: Your music was some of the signature protest songs of the 1960s. And in that time, there were songs that everybody sang together at protests, some of them your songs. And today it feels like the protests are as big as they have ever been, but it doesn’t feel like there is a shared soundtrack.

BAEZ: No, I think you’re absolutely right. And in the ’60s and ’70s, we had basically civil rights and Vietnam. It was very clear.

SHAPIRO: Yeah.

BAEZ: Now every single day there’s a new issue to try and keep up with and deal with and decide if that’s where you want to put your energy. So it’s baffling, as you know (laughter). And it’s not going to get any simpler. So, yes, we need that anthem. It beats shouting. But in the meantime, it’s better shouting than silence.

SHAPIRO: I wondered about “The President Sang Amazing Grace”…

(SOUNDBITE OF SONG, “THE PRESIDENT SANG AMAZING GRACE”)

BAEZ: (Singing) A young man came to a house of prayer. They did not ask what brought him there.

Oh, gosh (laughter).

SHAPIRO: …Because it feels so specific and so overtly political. And…

BAEZ: Yeah.

SHAPIRO: …It’s a beautiful, simple tune.

BAEZ: Yeah. It’s an amazing little tune. When I first heard it, I had to pull the car over ’cause I started crying.

SHAPIRO: We should say this song about President Obama was written by an artist named Zoe Mulford.

(SOUNDBITE OF SONG, “THE PRESIDENT SANG AMAZING GRACE”)

BAEZ: (Singing) But then the young man drew a gun and killed nine people, old and young.

And then for the first two weeks of trying to figure it out on the guitar, (laughter) I kept crying. I was afraid that when I got in the studio it wouldn’t be over. But I went into the studio. And then I just looked at the musicians and I said, let’s go to church.

(SOUNDBITE OF SONG, “THE PRESIDENT SANG AMAZING GRACE”)

BAEZ: (Singing) So on that day and in that place, the president sang “Amazing Grace.” The president sang “Amazing Grace.”

SHAPIRO: I have seen women of a certain age march with a protest sign this year, and the sign euphemistically says, I can’t believe I still have to protest this – let’s just say nonsense because it ends with a word we can’t say on the radio.

BAEZ: (Laughter) I’ve seen the sign.

SHAPIRO: (Laughter) You’ve seen the sign. After half a century of singing songs of protest about women’s equality and war and racial justice, do you share that sense of exhaustion? I can’t believe I have to keep protesting this nonsense.

BAEZ: (Laughter) I have such a low regard with how human race has behaved, you know…

SHAPIRO: Yeah.

BAEZ: …For the last, you know, few centuries at least that I don’t expect much. And in that…

SHAPIRO: (Laughter) Whoa.

BAEZ: (Laughter) Seriously. So that way any little step becomes a victory. And I also think that now, in the light of what we are experiencing in this decade, which is something that none of us could have dreamed up – you know, in the worst, darkest periods of the work that we did in the ’60s and ’70s and – or ’80s and 90s we couldn’t have written this scenario. So in the face of what looks like really bleak defeat, we have to do the little victories. And you have to consider every step that’s a positive step, that brings back compassion, that brings back empathy, that brings back understanding of political action. Day by day, these are the victories. And at the end of the day, you get only what you did that day.

SHAPIRO: There are some moments of despair on this album. There’s a song by Anohni called “I Need Another World” (ph).

(SOUNDBITE OF SONG, “ANOTHER WORLD”)

BAEZ: (Singing) I need another place. Will there be peace? I need another world. This one’s nearly gone.

Yeah. If it weren’t so beautiful, it’s too dark to sing. It’s too dark. But unfortunately, that’s (laughter) – that speaks to my heart. I’m basically pessimistic. But really, the other day I heard somebody say that pessimism was a waste of time, so I’m working on it.

SHAPIRO: (Laughter) Still working on it 50 years later (laughter)?

BAEZ: I’m working on it, trying to get that glass half full.

SHAPIRO: Well, you know, it strikes me that that song, “I Need Another World,” whether it is sung by Anohni or sung by you…

BAEZ: Yeah.

SHAPIRO: …Requires a voice as beautiful as that to allow the lyrics to not just destroy the listener, that…

BAEZ: To sing this. Yeah.

SHAPIRO: …The voice tempers the lyrics.

BAEZ: I hope so because it is. It’s devastating. You know, it says, I’m going to miss the birds.

(SOUNDBITE OF SONG, “ANOTHER WORLD”)

BAEZ: (Singing) I’m going to miss the birds.

And I already do. So for me, it’s finding beauty in the day because I can’t lament the fact that the birds are endangered. I have to listen to the birds that are singing in my yard.

SHAPIRO: OK, so you’ve said this is going to be your last year of formal touring. And I think…

BAEZ: Yeah.

SHAPIRO: …A lot of your fans are hoping that there’s a big loophole in that word formal.

BAEZ: Yeah, there is. That’s why we’re talking about it that way. I think the thing that I need to say goodbye to is the six weeks in the bus…

SHAPIRO: Yeah.

BAEZ: …And keeping the voice up, which is a daily affair. And then preparing for the concert, and then singing for an hour and a half to two hours, and then getting on the bus and going to the next place. So, no, the loophole is obviously any time I feel compelled to take part in political action or if somebody called and said, you know, here in Istanbul we’re having a folk festival; we’d like to come and do 20 minutes. And that’s very different to me from the other.

SHAPIRO: Well, Joan Baez, thank you for the decades of wonderful music, including this newest album, “Whistle Down The Wind.”

BAEZ: Thank you. Thanks for having me on the show.

SHAPIRO: “Whistle Down The Wind” comes out this Friday.

(SOUNDBITE OF SONG, “LAST LEAF”)

BAEZ: (Singing) I’m the last leaf on the tree. The autumn took the rest, but it won’t take me.

Wanna see some Oscar shorts?

My wife and I went to the movies last night, basically blind, not knowing much about the films being shown aside from the fact that they’re short documentaries nominated for an Academy Award this year, which means at Sunday’s Oscar show on March 4. There was supposed to be a preview online with some more details on the Minor’s website, but all we saw was an “error” message. (They may have fixed it by the time you read this.)

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The five films apparently are too long for one program, so at the Minor, that meant last night we saw just two. I’d heard about one called “Knife Skills,” about a restaurant run by ex-cons (although there’s much more). I had determined that that it was showing as part of “Documentaries B,” which for some reason shows first. (Today that’s at 3 p.m.)

Program B started with “Heroin(e),” a film with a clever title focusing on three heroines in the ongoing “war on drugs,” and a drug that’s killing people at a horrendous rate, heroin (and opiates of various sorts). Through glimpses of the lives (and sometimes deaths) of people involved we learn a lot about drugs and heroism. At the center there’s a fire chief, and we meet a drug court judge and a volunteer aide — the three heroines are all women, although that seems incidental. I don’t need to tell you much more except that you can watch this one on Netflix, since they’re handling distribution.

As I mentioned, I’d heard about “Knife Skills.” I was intrigued since I used to work in the restaurant business, and learned a bit of French cooking along the way. This is about the opening of a place called “Edwins” short for “education wins,” a nice restaurant with a French chef who teaches various skills (including knife skills) to folks in trouble with the law. Coincidently, some of those involved were ex-drug users and/or dealers, and we see some of them pull their lives out of those troubles. Not to go off on a tangent, but both films demonstrate how messed up America’s relationship with drugs can get.

As I mentioned we knew nothing about the films going in, and didn’t know we’d only see two yesterday. Program A has three films and I’m going to sse them today at 5:30 p.m. If all goes as planned, I’ll take my mom. If you know anything about her, you’ll understand. I’m guessing on the order, but the docs include “Edith and Eddie,” a sort of a tragic love story about an interracial couple in their waning years, who got married when they were 90-something. The preview gives you a hint about where the story goes.

“Heaven is a Traffic Jam On The 405” is about Mindy Alper, an outsider artist from SoCal who struggles with depression, anxiety, etc. through her art. Again, the preview will fill in some gaps.

Last but not least, we have “Traffic Stop,” which is about just that, a minor moving violation in Austin that resulted in the arrest and roughing up of Breaion King, a 26-year-old black schoolteacher. Since Austin uses dash-cams, a video clip showed exactly what happened (you may have seen it since it went viral for a moment. HBO is showing this one, which makes in another film you may get to watch, providing you invest in movie-watching one way or another. (We spend too much on tv and subscribe to HBO and Netflix.)

My wife and I both loves movies of all kinds, of course Oscar time is a big deal in our household. We usually have some friends over to watch, and we try to see as many nominees as possible (within reason). We saw a program of  “live action” shorts at the Miniplex, which means fiction films, shorter than features. It doesn’t look like they screen them again, but there’s also Oscar Nominated Animated Shorts screening at the Miniplex tonight at 7:30, then again Wednesday (7:30) and Thursday at 8 p.m.

Wrapping the whole movie thing up on Sunday, there’s the 2018 Richards’ Goat Oscars Party – free admission with two drink minimum, fun movie stuff to do…

And there’s the 5th Annual Red Carpet Gala at the Eureka Theater with “an appetizer bar, prizes, champagne and cocktails from the no host bar, a best dressed contest, local Film Friendly awards, and musical entertainment by the RLA Jazz Trio and solo artist Michael Dayvid, all while watching ABC’s live public telecast of the 2018 Academy Awards on the BIG screen.” Advance tix $25 ($30 at the door). Take your pick if you want go out. I’ll be watching at home…

My chat with “Anna” the Replicant

I woke up early in the midst of an odd dream, one where I had gone underground looking for some strange creatures that weren’t quite human, more a mix of foxes and furry people who lived under the human world. I’d gone to bed too early and figured I’d get up before I went deeper into dreamland.

I initially had a bit of trouble finding my glasses. I finally found them using the flashlight on my iPhone. There was a message that had just come in on my phone, it was my old buddy Anna “Banana” Hamilton, blues singer extraordinaire, a good friend from way back.

Anna had showed up on Facebook Messenger recently, like many of my friends and my FB “friends,” I assumed she found it an easy-to-use alternative to text messaging via the phone system. The trouble is, in this case it was not the real Anna who I added as a contact via Messenger. It was a replicant. This morning I started out my day chatting with “Anna” without initially realizing who I was talking to.

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The real Anna Hamilton is a “working singer songwriter guitarist entertainer golfer” who has 521 “friends” in common with me.

The fake Anna? She’s from somewhere else…

“You know 11 of the same people on Messenger”

Here’s the text of our chat after a prelude of stats…
THU 2:54PM
Anna added you on Messenger.
FRI 6:47PM
You added Anna Hamilton on Messenger.
SAT 4:45AM (Note: I was not quite awake when she called.)
Anna Hamilton
Hey
How are you doing??
Bob
I’m good
Up early
Just had a strange experience
My glasses went missing
Weren’t on the night stand where I leave them
I looked all over the house
Anna Hamilton
I hope you have heard about the good news yet??
Bob
Then found them in a pile of clothes
Anna Hamilton
Oh really
Bob
That was good news
What’s your good news?
Anna Hamilton
I just wake up early and I think you will have heard the news already
Bob
I try not to wake my wife in the morning
I did look at headlines in my phone, didn’t see anything noteworthy
Anna Hamilton
The department of health and human service,they are helping the Youth, Retired and Disabled and Old in the society, i just benefited from the program also.i got a sum of $50,000 from them.
Bob
Really
???
Anna Hamilton
Have you been contacted yet??
Bob
Am I going to get some money if I ask for it?
Who do I contact ?
Anna Hamilton
Oh yeah you will surely get some money to
Bob
I could use some
And I can’t think of anyone that can use some extra money than you
Anna Hamilton
Anyway i think you should contact their claiming agent now on their text before the program closed so that you can also try your luck and see if you can get something good from them too. Do you know how to do that?
Bob
How?
Anna Hamilton
Here is the agent text number ### #### #### (number withheld for your safety)
Bob
I’m lucky to have a friend to help me
Anna Hamilton
Just text the agent and tell her you are here to claim your winnings from her and you will also be ask to pay for the delivery fee after claiming your winning money Ok
Bob
Ok.
Anna Hamilton
And make sure you don’t discuss this with anyone until you get your winnings from them OK
Bob
I’m going to tell all my friends, but first I’m going to tell all my friends that Anna’s Facebook account has been hacked.
Anna Hamilton
What did you mean by that I am the one talking to you hun

When the replicant called me “hun” it was the first time she/he/it went off script.

Bob
Do you understand that it’s very early where I am. I’m guessing you are far, far away, probably in Nigeria or maybe Russia, working a scam. Anna is a real friend of mine, someone I’ve known since before Facebook was around. Back then, if you were in this business you were probably impersonating African princes, or widows, or someone else who has a way for me to get money for nothing.
Bob
Who are you really? I’m curious.
Of course you might be Anna. Tell me something about yourself so I’ll know who is on the other side of this chat window.

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That’s me. Right now.
Send me a picture of yourself
Anna Hamilton
Oh yeah I understand you
But this is real me and I will like to talk to you more on my hangout mail
Bob
I’ve been through this before. Usually, it’s a new person, not someone who I actually know.
Anna Hamilton
So that I can explain things to you I don’t have a good self phone to take a self now ok
Bob
Do you have a few accounts you’re working? I’m fascinated about how this works.
If I call that number you gave me, who answers? Not you, someone you work for, right?
Anna Hamilton
The UPS men delivered the winning money to my door step
And I do see your name on the winning list ok
Bob
That’s great.
Anna Hamilton
You have to contact the agent now and also claim your winnings from her ok
Bob
OK, But it’s all false. You may not even be a human, just a clever bot.
Anna Hamilton
I am not a clever bot I am real believe me OK
I am just telling you this just because I want you to also get your winnings like I do get mine OK
Bob
Ok
Anna Hamilton
Just keep me posted when the agent reply you OK
Bob

27708004_10155837485056343_1962151462_o.jpg

Can you see that?
Anna Hamilton
Oh yeah
I can see that of course
That is my profile
Bob
Do you understand whose page that is?
Anna Hamilton
Oh yeah I understand you
Seen by Anna Hamilton at 5:27am
Bob
This is not how I’d planned on starting my day.
Anna Hamilton
Oh why did you say that don’t you believe me
This is real and legit OK
Bob
Your name is not Anna. You are a made-up person working a scam. I call you a replicant, but that probably means little to you and is a personal joke. (Google that word if you’re curious.)

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You, or someone you work for, created this Messenger persona as an attempt to get me to call or text a phone number as the next step in the scam. I don’t know what happens if I take the next step and try to claim my “grant” or whatever. I’m curious, but not that curious. I’m a journalist and looking for a story. Your real story interests me. Who is the real “Anna”? Where are you? Are you male or female? Are you struggling to earn enough to eat, or doing alright scamming Americans, or maybe all over the world? Who are you really? I’ll probably never know.


Anna Hamilton
What did you mean by all this insult
Seen by Anna Hamilton at 5:49am
I am Anna Eureka California
Bob
I’m sorry if I offended you, but your scam is easy to see through.
Anna Hamilton
This where I do live OK
Bob
You stole Anna’s identification.
Anna Hamilton
What did you mean by that I am not a scam ok
Not I don’t ok
Bob
I know Anna, the real Anna.
Anna Hamilton
Oh really
I am the one of course

Bob
She will be intrigued by this, but she will hope none of her friends get ripped off by the scam.
Anna may even write a song about you. She’s a songwriter you know.
Anna Hamilton
If you don’t believe me it’s left to you hun
I am a song writer its me okay
Bob
I like that line. “It’s left to you hun.”
Anna Hamilton
OK cool
Seen by Anna Hamilton at 5:59am
Bob
What would you like to say to the real Anna?

Anna Hamilton

Seen by Anna Hamilton at 6:36am

What did you mean by that hun
Bob
I guess I was wondering what you might say to my friend Anna. Maybe you have another line for the song she will write for me, hun (I hope you don’t mind if I call you hun.)
I am a real person. You are not. If you don’t believe me it’s left to you hun

If you don’t believe me it’s left to you hun

If you don’t believe me it’s left to you hun

Take it from there Anna…

more to come later, including a bit about the dangers of giving info to replicants

What’s for Breakfast?

I got a message this morning from Zev, one of the founders of something called the Breakfast All Day Collective.

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“Hi Bob,” he began, cordially. “Just wanted to share Outer Space’s fundraising video with you, in case you wanted to share it on The Hum.” Sure. I could do that…

“Contributors of the fundraiser get digital downloads of our newest compilation album, featuring locals like: White Manna, Mister Moonbeam, Clean Girl and the Dirty Dishes, along with bands from across the country.  Thank you!”

I followed a couple of links, and checked out the Bandcamp page for the comp, A Year In Outer Space, featuring 23 bands that have played at Outer Space (or is it in Outer Space?).

An email I received a little later (I’m on their mailing list) repeated the invitation to check out the comp, and filled me in on what they have going on in the week ahead — a couple of shows and an Open Collective Meeting (Wednesday, 1/31/18 at 6:30 at Outer Space) where you can “find out ways to help and get involved!”

At this point, you may be wondering, what is the Breakfast in Outer Space thing? In lieu of retelling a story that was done well by my former editor at the Mad River Union, Lauraine Leblanc, I’ll give you a link [here] to a piece she wrote a little more than a year ago, based on an interview with Zev.

All-Ages-Arcata

Arcata’s Breakfast All Day Collective works to establish an art space for all ages

At the time the Collective was just about ready to open up an all ages venue, “a long-lasting, safer community space,” on 11th Street in Arcata (across the street from the Portuguese Hall).

If you’ve been following The Hum a long time, you may remember repeated mention of a youth organization called The Placebo, so named since it was an all ages space where drinking and drugs were not allowed. My son, Spencer, was involved at the start — he was in high school at the time, now he’s 30-something. Yes, that was long, long ago.

The first Placebo venue was in a warehouse the kids rented on South G in Arcata where they started putting on shows back in the 20th Century (in 1999). I’m not sure exactly which space it was, but it was in one of the slots near what is is now Redwood Curtain Brewery, or maybe M. Walker Guitars. (Anyone remember?) They did not jump through the requisite hoops with the city and before long they were shut down.

placebostory

Now you might think and authorities would encourage  a youth-run organization that tried to offer a place where you didn’t have to worry about underage drinking and the other things that go on at wild parties, but no, The Placebo never had any support outside of non-profit angel Libby Maynard, who offered Ink People’s welcome umbrella, just as she’s done for scores of organizations.

The Placebo found a home for a time at the Manila Community Center, but was ultimately shut down. They shared a warehouse on the outskirts of Old Town Eureka with the art collective Empire Squared, splitting it with Synapsis (before Leslie moved into the heart of Old Town). Volunteer organizations always face an uphill battle, and Placebo was homeless for years, and eventually stopped doing shows or anything at all outside maintaining a Facebook page.

That tangent down memory lane brings us back to the present, and what seems to be a successful arts and music based non-profit with a “long-lasting” space known as Outer Space. Here’s what’s going on there: 

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Tuesday, they present This Saxophone Kills Fascists with Arrington de Dionyso (from Olympia’s Old Time Relijun, on K Records) on tenor & baritone sax and Ben Bennett on drums (from Philly)…

“taking on the legacy of Spiritual Free Jazz as a vehicle for Punk Protest in the age of Trump.”

thismachine

Local support comes from my friends Medicine Baul Loves Sound Church, a extremely eclectic experimental combo who are planning an acoustic set…

and Julio Lopezhiler from Eureka with “queer freakfolk.” Tuesday, Jan. 30 , doors at 6:30, music 7-10 p.m. Cover: $6.

Wednesday there’s that Open Collective Meeting, where you can “find out ways to help and get involved.” Perhaps you’re interested in “helping volunteer during open hours or at shows,” or you might want to play music or show your art or do something else collectively. [1/31/18 at 6:30 at Outer Space, 1296 11th Street at M St.]

selecterdub

Thursday, they have the amazing Dub Narcotic Sound System, aka @Calvin Johnson.

“A founding member of the bands Cool Rays, Beat Happening, The Go Team, The Halo Benders, and the Hive Dwellers, Calvin Johnson is also the founder and owner of the influential indie label K Records (see above re: Arrington) based in Olympia, WA.

Kurt Cobain cited Beat Happening’s Jamboree as one of his favorite records, and even got the K Records logo (a small “K” in a shield) tattooed on his arm to “try and remind him to stay a child.”

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Since founding his Dub Narcotic recording studio in 1993, he has produced and engineered recordings by many bands and artists.  Calvin has worked with Modest Mouse, Beck, Heavenly, The Microphones, Jon Spencer Blues Explosion, The Blow, Mecca Normal, The Gossip and Built to Spill, among many others.

Local support comes (once again) from The Monster Women, who are all over Humboldt currently since they are on the cover of Insider, the NC Journal’s glossy aimed at the tourist trade.

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(They’re interviewed inside too.)

The BAD Collective describes The M-Women as having

their own original sound, a smorgasbord combination of many eras gone by. Drenched in rich vocal harmonies and dance-able quirky beats accompanied by complex poetic lyrics and an flair for artistic costuming! Yes please!

Plus, SLOP, “up and coming fresh and fierce Arcata queer punk rockers.”

Coming next week…

donnie

Okay, that’s all for now. See you in Outer Space ~ Bob Doran