You probably know Mac’s face, although you may not know who he is. You’ve undoubtedly seen an ad for his upcoming concert since there’s a larger-than-life photo of him on a billboard along the northbound 101 safety corridor outside of Eureka. It shows Mac Demarco, a 20-something dude in a hoodie with a gap-toothed grin, and tells us he has a show in the Sapphire Palace at the Blue Lake Casino on Wednesday, May 15.
Mac popped up in my Facebook feed last week, a post from Happy, an Australian music mag I follow, with a link to his latest YouTubeage. They explain, “Mac DeMarco has shared a new video for [the song] ‘On The Square,’ the latest taste from his upcoming album Here Comes The Cowboy. We’re not sure what on earth’s going on in this video, but it’s great.”
As noted in a company bio, “Panache has existed as many different entities in the music industry since then. We originated as a music zine, born out of the pure love of discovering bands that both inspired and shook your soul. Eventually Panache evolved into a North American booking agency when we started organizing tours for bands nationwide.
After existing as an agency for over a decade, Panache expanded into music management to help our uniquely talented artists find the guidance they needed to develop their art into sustainable, healthy, long-lasting careers.”
They’ve been handling the successful Ty Segall since in 2012; Mac DeMarco joined their roster in 2013.
There’s much more to Michelle’s story, a move to NYC, a bad van crash, recovery, etc. before eventually coming home to California. Panache today is described as “a collective of independent minded music lovers who pride ourselves in thinking outside the box [as they] bridge the gap between DIY culture and commercial success while always keeping the artist’s best interest and integrity to heart.”
Mac and Panache‘s Michelle are truly DIY personified.
I’m sure this will be a cool show. The opening act was supposed to be Instagram phenom Melanie Faye who loves guitars, Jimi and rainbows. However, Mac and co. report, “Some sad news – unfortunately, Melanie Faye can’t join Mac on tour this May… (but you can see what you missed)
“However, [Aussie pop singer] Holiday Sidewinder will join for all of Melanie’s dates (except Seattle)!
Check out the updated tour poster above made by the talented Robert Beatty. Doors @ 8 p.m. Showtime @ 9. Ages 16+ and they note, no chairs, “standing room only.”
Blue Ox Historic Village’s 16th annual May Day Artisan Faire is coming up over Mother’s Day weekend, May 11 and 12, from 10 a.m. to 6 p.m., at the foot of X Street in Eureka. Michael and Monica tell you all about it…
The event features live music, storytellers, local food and libations, a kids zone, and more. Saturday includes live music from Dale Winget…
Blue Ox Village is a Historic Park and Millworks that’s been a pride of Humboldt County for 45 years. Blacksmithing, pottery, fiber arts, woodworking, and much more happen at the Blue Ox, and May Day is the public’s chance to check it all out, and maybe even sign up for a discounted day-of workshop during the event.
This 2019 event is the second year organized by Dayl Hollenbeck, daughter of Blue Ox founders Eric and Viviana. “Growing up in this community, I got to experience first hand what a unique and magical area this place can truly be,” says Hollenbeck. “The May Day Artisan Faire is just one way we at the Blue Ox Village try to support our community and all the talented artists and craftspeople in the area.”
“If you have ever been interested in trying one of our workshops,” Hollenbeck adds, “now is the perfect time to come out, get your hands a little dirty, and celebrate Mother’s Day and welcome in spring!”
For more information on the May Day Artisan Faire, visit www.theblueox.org or follow Blue Ox Historic Village on Facebook.
As you may or may not remember, 29 years ago the Redwood Coast Music Festivalwas known as the Redwood Coast Dixieland Jazz Festival. The transition happened slowly, first by adding what was considered “alternative” bands to an all traditional jazz lineup. A couple of other things happened when Deborah Lazio was handling booking. (I have to admit, I don’t remember the exact sequence.)
Big name non-jazz acts were hired as headliners, and a spin-off outdoor blues fest, Blues by the Bay, was added for Labor Day weekend.
While BbtB was popular, especially with the baby boomer demographic, it lost money, and was discontinued a few years ago. (Acres of Blues is trying keep that spirit going at Redwood Acres, but that’s a story for another day.)
While there’s still an audience for Dixieland, its old fans are dying off, and the fest had added more pure swing, zydeco and R&B acts, basically all sorts of acts, like at the New Orleans Jazz & Heritage Festival. At some point “Dixie” was dropped and for a few years it was known as the Redwood Coast Jazz Festival. In 2014, “jazz” was dropped from the name, as blues became important to the lineup and Western Swing was added. Redwood Coast “Music” Festival was born.
At this point it seems like the RCMF has completely merged with Blues by the Bay. The big name acts come from the blues world and you can go to the fest and hear no “jazz” at all, if that’s what you want to do. Really, with music in six venues, there’s too much to choose from.
My blues loving friend deejay Good Rockin’ Derral Campbell is afraid he’ll have a heart attack from a blues overdose. “Oh geez this lineup is stuffed with virtuosity and fun. It’s gonna be time for some very tough calls. Little Charlie’s gonna be wearing at least three hats 1) the Charlie Christian thing Saturday at 3 (Sat. at the Sequoia Center); 2) Two nights of performing with Carl Sonny Leyland… fascinates me with the prospects for high humor and hijinks (Fri./Sat. @ the Muni); and 3) A reunion w/ Rick Estrin and the Nightcats. Charlie and Kid Andersen at the SAME time? (Sat. 9-ish at the Muni) You know, all my college roommate buddies have had heart attacks now, and I know I’m playing on house money myself. And I may be pushing my luck this Friday night. I’m not excited though.”
Here’s what Little Charlie Baty, has planned, he’s the former leader of the Nightcats and will play with Rick Estrin and his former bandmates, as well as with Carl Sonny Leyland and others… well, I’ll let him take over.
“One of my big moments is rapidly approaching,” says Charlie. “It might be my biggest moment – you never know. This weekend I will be appearing as a Special Guest or Guest of Honor or a title with some sort of honorific attached to it at the Redwood Coast Music Festival in Eureka CA.
“My work starts on Friday. I will perform with the legendary pianist/vocalistCarl Sonny Leyland and his combo, during a set of blues and swing. Then I will rest for a few minutes and then reunite with Rick Estrin and the Nightcats for a brief spell. If all of that excitement doesn’t kill me, I’ll return the next day to perform a special Tribute to Charlie Christian set with a hand-picked combo of 7 or 8 people – drummer Jeff Hamilton, bassist Sam Rocha, trumpet player Marc Caparone are just some of the players and we will also be joined by vocalist Dawn Lambeth. Then another set or two with Sonny Leyland. I get tired just typing about it.
“There will be so much talent at this festival. Curtis Salgado will be there. My friend Geoff Miller and the Twilight Drifters will be playing. Pianist John Cocuzzi will be swinging until the girls come home. It is such a fun festival – traditional jazz, blues, rockabilly, swing, and probably all sorts of other music that I’m not up on. Over 200 musicians will be performing. I’ll get a chance to play with some of the most talented swing and trad cats out there. Plus I’ll get a chance to ham it up with Rick Estrin and Kid Andersen again, listen to Lorenzo Farrell’s soulful organ playing, and enjoy the steady pocket of Alexander Pettersen.
“Then there’s trying to keep up with Sonny Leyland. What a talented soul and just a plain nice guy he is! I love the way Dawn Lambeth sings – a beautiful voice without a bunch of unnecessary frills – she just has a way of selling a song with her voice. And, finally, I’ll be able to release this catharsis of Charlie Christian songs and ideas that have building up inside me for months.
“Now you’re caught up – check the oil, check the tire pressure, fill up the car with gas, pack a light bag and head up to Eureka. You’ll be glad that you did!”
KHUM’s blues deejay Chas Lewis recommends “Aki Kumar, Carl Sonny Leyland and Charlie Baty, Anthony Paule Soul Orch w/Wee Willie Walker” (all blues of course).
As Charlie mentioned, there’s a couple of sets by Curtis Salgado, who was the template for “Joliet Jake,” John Belushi’s character in the Blues Brothers. They hung out in Eugene when Animal House was filmed, and Belushi basically lifted Curtis’ act, both the songs and his attitude. That happened while Curtis was in first incarnation of the Robert Cray Band, where he served as brash front man for shy “Young Robert.” Curtis went on to serve as lead singer for Roomful of Blues and by the early ‘90s, he had his own band. In 2010 he was one of the headliners for Blues by the Bay after winning a Blues Music Award for Soul Blues Male Artist of the Year. He’s played here a couple of times with Mark Hummel’s Blues Harmonica Blow-Out (and will do so again elsewhere), but lately he’s been playing with guitarist Alan Hagar.
Sarah Marina says, “When picking bands, consider venues. I like pairing them like wine and food for a tailored experience. 🙂 Ex: Morris Graves Museum for an intimate and lofty artistic moment as opposed to the vibrant mass of energy at the Muni. Same band in each setting is a different experience altogether. Same venue with each band… also unique.
“The other factor is guest artists rotating through each band. I heard [fiddler] Tom Rigney duel it out with Brian Casserly [trumpet] a couple years ago and that was an on fire duo. They are back at the Adorni Saturday night to do it again and I expect it to be a great show if you don’t mind missing a portion of the Muni blues.”
Speaking of blues, my friend Katy Stern says, “Don’t miss Anthony Paule and Frank Bey,” part of the big blues-orama Saturday at the Muni (with Curtis as “special guest). Everyone has their faves.
It ain’t cheap, they have different prices depending on if you’re just going to one day, but $30 is the cheapest. Please note: ticket sales locations are at the Muni and Adorni venues ONLY. Will Call is at the Adorni venue. If you can’t afford a ticket, there’s always the free show Sunday morning with our own Arcata Interfaith Gospel Choir singing at 10 a.m. at the Adorni. And Les Craig notes there’s music all over Old Town, “We’ll be on the Gazebo Saturday from 11 to 1, courtesy of Eureka Main Street.”
There’s a brief moment in local fiddler Jenny Scheinman’s movie/concert thing, “Kannapolis: A Moving Portrait,” when we see a man with a hat shot from below. He seems serious at first, like he looking off toward some unknown future. Then he looks down and sees the camera (and with it the cameraman), and that far-away serious look breaks momentarily, and he starts to smile. You’re supposed to smile for the camera. Sometimes you can’t help yourself.
The cameraman was one H. Lee Waters (“H” for Herbert, but no one called him that), who ran a photo studio in Lexington, North Carolina (with help from his wife) for over half a century — 1926 on.
He mostly made a living doing portrait work: weddings, school groups, people at church, shopping, at work, anywhere groups gathered, but as the Depression hit, the luxury nature of photography hurt his business. He had to find find another way to make some money with a camera, and he did, with a movie camera.
H. Lee used his to make what he called Movies of Local People, focused on exactly that: folks at work, in the street, kids on playgrounds, parades, again, anywhere groups gathered in small towns in the South. The short flicks were shown in movie theaters before the main attraction — usually some Hollywood fare — and he got a small percentage of the take. As a side result the lives of “local people” were captured forever, set in amber for posterity.
At some point someone one at Duke burned a DVD of some of the (silent) movies, and gave it to Jenny. She was enchanted and wrote hours of music, matching the feel with Appalachian instruments. Jenny’s friends Robbie Fulks and Robbie Gjersoe, both multi-instrumentalist string players from Chicago, signed on to fill in the musical gaps, again with a timeless Appalachian feel.
Finn Taylor, a Berkeley-based filmmaker (think Sundance) was enlisted. He worked with editor Rick Lecompte, and sound designer Trevor Jolly, to turn the raw footage into something new. The project was initially rolled out in 2015 via Duke Performances (like CenterArts, but for Duke University in Durham). What you’d have to call a multi-media event centered on a Carolina town called Kannapolis, once known as “the City of Looms,” home to a textile mill.
You may know Cannon for towels, sheets, stuff you’d find at Bed Bath & Beyond, Target, or K-Mart or wherever. They used to make that stuff in company towns like Kannapolis, until 2003 when Cannon went bankrupt and closed the mill. The Cannon label became part of Iconix, “a portfolio of strong global consumer brands across fashion,” etc. alongside Boxer shorts, London Fog, Ocean Pacific and other product lines (plus Peanuts Worldwide, Charles Schultz’ brand). In short, they’re now made in China (or thereabouts), instead of in the U.S. of A. (A YouTube search for “Kannapolis implosion” shows you a huge factory collapsing, and with it, metaphorically, the textile business.
Returning to Jenny’s musical “Moving Portrait,” it doesn’t exactly touch on current events, and is more interested, at least musically and visually, in the outer edges of America, where the South met the rest of the country, and the old met the new.
Jenny is originally from Petrolia (where “shift happens”). Her fiddle took her across the country to play post-modern music with the likes of John Zorn and the downtown New York crowd. She’s played in righteous babe Ani DiFranco’s band, made Mischief & Mayhem with guitarist Nels Cline, drummer Jim Black, and bassist Todd Sickafoose, then came home, metaphysically and musically with a more folky record, The Littlest Prisoner (2014).
That was followed by Here on Earth (2017), which draws on the music she wrote for the Kannapolis project. It pulls you deep into the Appalachians, with tunes redolent of Scotch/Irish roots and touches of the blues, familiar yet totally original.
There’s resonator guitar and banjo, a little bit of electric guitar (Bill Frisell plays on the record, and but I’m sure the two Robbies suffice)…
…the only thing missing is the visuals.
I’ve been waiting patiently for her to bring it home, and thanks to gentle prodding from the folks at the Arcata Playhouse, it’s happening, and in a bigger venue, the Arkley Center, on Friday, April 5. There might be a few tickets left on this one-night-only performance. (Or maybe there’s a miracle out there.)
Listen to Lyndsey Battle speak with Jenny Scheinman about the show on KHUM radio.
“These are America’s home movies. They contain a clue to our nature, an imprint of our ancestry. They were shot before Americans had sophisticated understanding of film, and capture truthfulness that one is hard-pressed to find in this day and age now that we are immersed in a world of social media, video and photography. These people can dance. Girls catapult each other off seesaws and teenage boys hang on each other’s arms. Toothless men play resonator guitars on street corners, and toddlers push strollers through empty fields.They remind us of our resilience and of our immense capacity for joy even in the hardest of times.” – Jenny Scheinman
Event promoter and coordinator David Ferney from the Arcata Playhouse became aware of the project in 2015 when it first premiered at Duke University where is was commissioned. The university originally approached Scheinman with the idea of creating a performance piece with the archival footage of H. Lee Waters. Scheinman enlisted filmmaker Finn Taylor as a collaborator on the final project. Ferney had his eye on the performance film project and spent three years trying to coordinate a Humboldt screening.
“I knew it was special and felt that it needed to be presented in Humboldt.” said Ferney. “I originally approached Merrick McKinlay at the Minor Theatre and we planned to present it there, but we felt the capacity was just too small. Jenny suggested the Arkley and everything fell into place.”
The Minor wanted to stay involved so in addition to being a sponsor, they are providing the projections for the movie. “The Arkley has been great with helping us make it all work. It has really been a coming together of a great team to bring this special project to our Humboldt community.” said Ferney.
About Robbie Fulks and Robbie Gjersoe:
Guitarist and singer/songwriter Robbie Fulks, a mainstay of the Chicago folk scene, has released 10 solo records on the Bloodshot, Geffen, Boondoggle (self produced ), and Yep Roc labels. He’s made multiple appearances on NPR’s “Fresh Air,” “Mountain Stage,” and “World Cafe”, PBS’s Austin City Limits; NBC’s Today, Late Night with Conan O’Brien, and 30 Rock. Film use of his music includes True Blood and My Name Is Earl. From 2004 to 2008 Fulks hosted an hour-long performance/interview program for XM satellite radio, “Robbie’s Secret Country.” His compositions have been covered by Sam Bush, Kelly Hogan, Sally Timms, Rosie Flores, John Cowan, and Old 97s. As an instrumentalist, he has accompanied everyone from the Irish fiddle master Liz Carroll to New Orleans pianist Dr. John.
Robbie Gjersoe is a multi-instrumentalist, composer, songwriter & occasional engineer and producer who has worked on a variety of musical projects wide-ranging in style and content over the last 30 years. He plays guitar, bottleneck slide, resonator, dobro, baritone ukulele, mandolin, nylon string, cavaquinho, viole, 12-string, lap steel, pedal steel, and bass. With Screen Door Music, which he co-created, he has composed and performed soundtracks for many films including Grand Champion, Robbing Peter, and Vanishing Of The Bees. His music was used in the movie The Hot Flashes and the TV show The Mentalist.
About Finn Taylor:
Finn Taylor wrote and directed Dream With The Fishes (Sony Classics), Cherish (Fine Line), The Darwin Awards (Fox and Icon Entertainment) and Unleashed (Level 33 and Voltage Entertainment) and co-wrote Pontia Moon, produced by Paramount Pictures. A three-time Sundance alum and native to the SF Bay Area, his recent feature documentary, Kannapolis: A Moving Portrait, premiered at the National Gallery at the Smithsonian and the Metropolitan Museum of Art, NY and is continuing to tour throughout the country through 2019.
His most recent feature film, Unleashed, won six audience awards, at festivals across the country, including MVFF39, and was picked up for US distribution by Level 33 and foreign distribution by Voltage Entertainment. Variety, in its 50th Anniversary edition, selected Finn Taylor for its prestigious list of “The Top 20 Creatives to Watch.”
Jenny writes saying,
“Hello friends! Here we go again – more music and shows! A week from today my movie and live music piece Kannapolis: A Moving Portrait will commence a tour of the west coast. This piece is about community, so I’m especially excited to be finally presenting a hometown gig at The Arkley Center in Eureka!
We will also be bringing ‘Kannapolis’ to The Savannah Music Festival where I will be in residence as a teacher for a full week along with Bryan Sutton, Darrell Scott and Mike Marshall – very much looking forward to that!
In May and June Jenny Scheinman & Allison Miller’s Parlour Game will be in the northeast, midwest and west coast. We have been working really hard to finish our debut album – it is mixed, nearly mastered, and we will be celebrating its official release at Newport Jazz Festival in early August.
Also I wanted to let you know that I will be leading a new string program at Jazz Camp West this summer in beautiful La Honda, CA. The faculty there is extraordinary, and from my friends’ accounts it is a completely transformative experience to attend. Feel free to email me with questions, and please spread the word to string players far and wide.
Thank all of you so much for listening and staying involved in the arts.